Advanced English · Unit 07
الدافع الإبداعي · ورقة دراسة ثنائية اللغة
| Opinion | Size | Shape | Colour | Pattern | Material |
|---|---|---|---|---|---|
| elegant flamboyant garish sparkly |
gigantic oversized |
flared pleated polo neck wide-leg |
burgundy navy neon pastel scarlet |
clashing plaid |
cashmere corduroy knitted metallic satin suede velvet |
| رأي | حجم | شكل | لون | نمط | خامة |
|---|---|---|---|---|---|
| أنيق / مبهرج / صارخ / لامع | ضخم / كبير جداً | مفلّر / مكسّر / ياقة بولو / واسع الساق | أحمر غامق / كحلي / فلوري / باستل / قرمزي | متضارب / مربعات | كشمير / كوردروي / محبوك / معدني / ساتان / شمواه / مخمل |
Mohanna Durra, 1who was born in Amman in 1938, is seen as a pioneer of the Jordanian Arts movement. He was raised by his parents in a villa 2which was just a short distance from Amman's popular tourist attraction: the Roman amphitheatre, the history 3of which fascinated him as a child.
As a young man, Durra had an attraction to drawing and would do so 4whenever he had the opportunity. It was perhaps due to this that his father sent him to study art with George Aleef 5from whom he learnt the fundamentals of creating pictures with both pencils and paintbrushes.
Following this, Durra met and befriended William Hollowin, a Dutch painter 6whose influence led Durra to studying Dutch artists and gave him a deep interest in the way 7in which light was depicted in art.
In 1954, Durra attended the Academy of Fine Arts in Rome 8where he became the first Jordanian to be formally taught the arts.
Such was Durra's success that he met King Hussein in 1970 9in which he received the Kawkab Decoration. Durra attracted many students to his studio, many 10of whom became notable artists in their own right.
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